Marsha has studied and taught art for many years, is active in several local drawing and painting groups and continues to work with many of the finest artists in the country. Her early work in portraiture led her to discover the soft, delicate feeling she could achieve with pastels, and her soft impressionistic style explodes with lush velvety color. Marsha’s gentle rapport with her subject and soft painterly style, guarantee a painting you will treasure for years. ARTIST"S STATEMENT I am a pastel portrait artist who uses soft pastels to paint rich color and texture, creating my impression of the people and world around me in hopes that others might experience the joy and excitement as I see it. I am always infatuated with the colors and textures I see around me. I strive for each work of art to truly express something insightful within me, not to simply be a copy of what I am seeing. I especially love painting people and plein air landscapes and I describe my work as “painterly realism.”
PRIVATE
CORPORATE COLLECTIONS
Arbor
Acres, Winston-Salem, NC
Salemtowne,
Winston-Salem, NC
Forsyth
Regional Cancer Center, Winston-Salem, NC
Hospice
House, Winston-Salem, NC
PROFESSIONAL
ORGANIZATIONS
Piedmont
Outdoor Painting Society (POPS), Winston-Salem, NC
(Charter Member)
Associated Artists of Winston-Salem, Winston-Salem, NC
Portrait
Society of America, Inc., New York , NY
Piedmont Portraits, Winston-Salem, NC (Charter Member) North Carolina Art Education Association (NCAEA) AWARDS 2008
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BEST
IN SHOW and BEST PASTEL PAINTING BIO
After
taking a watercolor course my senior year, I was hooked and have been
completely intrigued with it’s unpredictable surprises. It has challenged
me for years and continues to entice me with its numerous possibilities and I began experimenting with pastels while painting portraits several years ago and discovered the joy of working with true vivid color. Ever since I picked up my first “Crayola,” I have loved colors and textures. The direct application of the pure pastel pigment resulting in beautiful velvety color keeps me exploring this medium. I apply the pastel with my favorite of all artist’s tools — my fingers. The contact with the paper and the explosion of color and texture is exhilarating — like no other medium I have used. When
I returned to design school in midlife, I discovered the technique of
illustrating with markers
and colored pencils — applying colors and values with transparent washes
and then intensifying the colors and emphasizing the details with pencils. I
have taught art to both children and adults for
many years and worked as a graphic designer for 15 years, but the passion of
painting continues As a lover of the outdoors, I’ve recently discovered the joy of plein air painting, which has taken me a step further in my growth as an artist. Painting “on location,” where I truly experience the moment, has sharpened my observation skills and my connection with the subject. Hopefully it helps me portray to the viewer a sense of actually being there. Although I paint primarily in pastels and consider my style “painterly realism,” my curious nature leads me to explore different media, styles and subject matter. I like working in charcoal, conte, pen and ink and especially enjoy the recent pleasure of reconnecting with oil painting and experimenting with collage and abstract expression. In addition to landscapes, I like painting portraits, figures, animals, still lifes, florals and underwater “scapes.” Common patterns in all my work, regardless of the subject or medium used, include developing and emphasizing my focal point through contrast of color, value, temperature, texture and amount of detail; using colors and textures that harmonize well; and a creating a sense of loose realism with impressionistic strokes of color. My goal is to “paint from the heart,” to play with the colors and textures, to lose myself in my work and to enjoy the process rather than to render a completely realistic reproduction of the subject. I try to let the painting “paint itself” and evolve on it’s own. I hope that, through my work, others can stop, look, appreciate the beauty of God’s creation and feel my excitement and joy in expressing it.
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